Review From User :
If I could change the title, I think I'd rename it Anatomy of a Heist. The writing is very matter-of-fact - nothing very thrilling or exciting - that begins with the theft of five one-of-a-kind F. Scott Fitzgerald manuscripts from the bowels of the Princeton University Firestone Library. From there, it follows the day-to-day (often minute-by-minute) lives of the thieves and those who want to find them and bring the manuscripts back to their rightful home. It's divided into sections, each of which details the relevant characters and events pretty much on a minute-by-minute basis.
"The Heist," the opening section, brings readers an up-close-and-personal look at the robbers and how they planned the job and carried off the loot. "The Dealer" focuses on Bruce Cable, owner of a popular bookstore on Florida's Camino Island who collects rare books and, despite having a gorgeous French wife who deals in antiques, is quite the ladies' man. That's followed by "The Recruit," which introduces Mercer Mann, a semi-successful novelist and current teacher at the University of North Carolina. She's desperately trying to get out of a writing slump, hoping to get published and sell enough books to pay off her massive student loans and live the life of a successful writer.
In earlier days, Mercer was a frequent visitor to Camino Island and thus is familiar with its small tourist town of Santa Rosa, where Bruce's bookstore is located. When powers-that-be suspect that Bruce somehow may be involved in the theft of the manuscripts, which are insured for a whopping $25 million, she's considered the perfect "spy" and is offered the job of getting close enough to Bruce to learn his secrets. What they're willing to pay for her services is mind-boggling; but she wonders if its worth selling her soul as a snitch. Even if she can get over that hump, does she have what it takes to convince Bruce that she's just a curious, temporary island resident who has an interest in old books And what if it turns out that Bruce has no secrets at all
From there, the story unfolds bit by bit, section by section - always in a mostly narrative, little dialogue fashion. For readers, that means no nail-biting or edge-of-seat balancing, which may not sit all that well with those who demand knock-'em-dead action (nor will, perhaps, the lack of courtroom drama). But as with any writer worth his or her salt, the devil is in the details - and in that respect, Grisham is as good as it gets. It was fascinating to see how deftly he weaves together all the bits and pieces into the whole story that builds to the ending - which, as might be expected, is understated as well. Good job!
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